Terry C. W. Wong is an archivist and co-organizer for the ISEA Archives. He holds a BASc in Mechanical Engineering from the University of British Columbia and an MA in Fine Art from the Chinese University of Hong Kong. Currently, he is conducting graduate research on connecting new media art archiving worldwide at the School of Interactive Arts and Technology at Simon Fraser University. Terry has been actively involved with the New Media Art Archiving Summit and is currently a member of the organizing committee and the International Programme Committee (IPC). Before his archiving work, Terry gained years of experience in project management as a professional engineer, while also being a practicing artist and designer. Additionally, Terry has extensive experience in arts administration and has been involved in international projects, including the ISEA Symposium, SIGGRAPH, the Hong Kong Arts Festival, and the Venice Biennale

Bonnie Mitchell is a digital artist and Professor at Bowling Green State University in Ohio, USA. Mitchell is a member of the ACM SIGGRAPH History and Digital Arts Committee where she focuses on the development of the SIGGRAPH archives and coordination of the SPARKS lecture series. Mitchell’s artworks explore spatial and experiential relationships to our physical, social, cultural, and psychological environment through interaction. Her current creative practice focuses on development of physically interactive immersive environments. Her interactive digital work dates back to the late 1980s and in 1995 she won an Honorable Mention from Ars Electronica for one of her net art projects.

Wim van der Plas is co-founder of ISEA and organiser of the three ISEA symposia held in the Netherlands. He led ISEA HQ in the first 8 years of its existence and was a board member of the Inter-Society for the Electronic Arts and ISEA International (both of which he also was co-founder) until 2017. Since then, he is Honorary Chair of the ISEA International Advisory Committee nd ISEA Symposium archivist. He received a Leonardo Pioneer Award in 2018.

Elena Golub is a film and video researcher, cultural worker, and emerging artist interested in media theory, politics of the self in film and video, and accented cinema. She holds an MA in Art Criticism and a BA in Philosophy. She worked as a coordinator at the New Holland Film Festival, Saint Petersburg, 2021; coordinator of the Main Project at 5th Ural Biennial of Contemporary Art, Ekaterinburg, 2019–2020. She curated the screening program Evasive Statements at VIDEOFORMA VIII International video-art festival, Saint Petersburg, 2020. She publishes an independent film magazine. Elena is the educational projects coordinator on the CIFRA platform for media art. She currently resides and works in Tbilisi, Georgia.

Bonnie Mitchell is a new media artist and Professor at Bowling Green State University in Digital Arts, in Bowling Green, Ohio, USA. Mitchell is a member of the ISEA International Advisory Committee and ACM SIGGRAPH History and Digital Arts Committee where she focuses on the development of their online archives. She is currently the SIGGRAPH 2023 conference History Chair in charge of the immersive Time Tunnel, history displays and retrospective talks. Her current creative practice focuses on development of physically immersive data visualization environments that showcase climate change over time. Mitchell’s artworks explore spatial and experiential relationships to our physical, social, cultural and psychological environment through interaction, abstraction and audio. She has created numerous abstract visual music installations and animations that have been shown in hundreds of venues world-wide.

Jan Searleman taught Computer Science at Clarkson University for 37 years, retired in 2015, and since retirement has been an Adjunct Research Professor at Clarkson. Her research areas are Virtual Environments, Human-Computer Interaction, and Artificial Intelligence. A senior member of the ACM, Jan is also on two ACM SIGGRAPH Committees: Digital Art (DAC) and History. Jan and Bonnie Mitchell coordinated a DAC Online Exhibition “The Earth, Our Home: Art, Technology and Critical Action”. She is co-director of the ACM SIGGRAPH History Archive with Bonnie Mitchell. Jan also co-directs the ISEA Symposium Archives with Bonnie Mitchell, Wim van der Plas, and Terry C.W. Wong. In 2022/2023, she was a member of the SIGGRAPH 50th Anniversary team. She also served on the organizing team for the Second Summit on New Media Art Archiving at ISEA2023 in Barcelona.

Dr. Jinsil Hwaryoung Seo is an interactive artist and researcher, acclaimed for her interdisciplinary approach that integrates technology, education, and health within the artistic sphere. She is an associate professor in the School of Performance, Visualization, & Fine Arts and the director of the Institute for Applied Creativity at Texas A&M University. Dr. Seo holds a PhD in Interactive Art and Technology from Simon Fraser University in Canada and an MFA in Computer Arts from the School of Visual Arts in New York. Her works explore tangible and embodied/immersive interaction, medical/nursing education, interactive performance, creative aging, and creative AI.

Bonnie Mitchell is a digital artist and Professor at Bowling Green State University in Ohio, USA. Mitchell is a member of the ACM SIGGRAPH History and Digital Arts Committee where she focuses on the development of the SIGGRAPH archives and coordination of the SPARKS lecture series. Mitchell’s artworks explore spatial and experiential relationships to our physical, social, cultural, and psychological environment through interaction. Her current creative practice focuses on development of physically interactive immersive environments. Her interactive digital work dates back to the late 1980s and in 1995 she won an Honorable Mention from Ars Electronica for one of her net art projects.

Associate Professor Ricarda Bigolin is a practice-based researcher and educator and the Associate Dean of Fashion and Textiles Design at RMIT University. Her research explores critical tactics and interventions to challenge how fashion is produced, used and consumed. This extends to practice, arts-based and material methods, critical tactics of wearing and performing to reveal relationships between fashion, value and use. Current research investigates alternate historical clothing practices in Australia offering insight into material circularity, product use and performance as part of the project Wear out Fashion. Her research and practice work as part of D&K, has won international awards and acquisitive prizes and Ricarda maintains ongoing teaching and research collaborations with education and industry partners worldwide.

Dr Stephanie Andrews is an artist, lecturer, and creative technologist with more than 30 years’ experience in digital art, 3D graphics, interactive media, virtual reality, and site-specific installations. Originally hailing from the United States, she began her career as a Technical Director at Pixar. She is currently the Program Manager for the Master of Animation, Games, and Interactivity (MAGI) at RMIT in Melbourne, Australia.

Alison Bennett works in ‘expanded photography’ where the boundaries have shifted in the transition to digital media and become diffused into ubiquitous computing. Creative projects have tested the discursive potentials of augmented reality, virtual reality and webXR as encompassed by the practice of photography. Their work has been shown at international venues such as Musée du Louvre and the San Francisco Museum of Modern Art, and featured on ABC TV Australian Story, the New York Times, Mashable, The Huffington Post, BuzzFeed, Motherboard, The Creators Project, ABC TV News, Artlink Magazine and The Guardian. Dr Bennett is Associate Dean Photography at RMIT School of Art and leads the Imaging Futures Lab at RMIT.

Bonnie Mitchell is a new media artist and Professor at Bowling Green State University in Digital Arts, in Bowling Green, Ohio, USA. Mitchell is a member of the ISEA International Advisory Committee and ACM SIGGRAPH History and Digital Arts Committee where she focuses on the development of their online archives. She is currently the SIGGRAPH 2023 conference History Chair in charge of the immersive Time Tunnel, history displays and retrospective talks. Her current creative practice focuses on development of physically immersive data visualization environments that showcase climate change over time. Mitchell’s artworks explore spatial and experiential relationships to our physical, social, cultural and psychological environment through interaction, abstraction and audio. She has created numerous abstract visual music installations and animations that have been shown in hundreds of venues world-wide.

Claire Tracey is an artist and environmental researcher dedicated to creating impactful public art and promoting eco-centric design. With a Doctorate in Public Art from Queensland College of Art, Griffith University, focusing on how public art can impact plastic waste in urban environments, and a Master of Arts in Public Space from RMIT University, Claire’s practice blends creativity with sustainability. For ISEA 2024, Claire curated the video art program and introduces "Strange Bloom," a kinetic installation made from upcycled materials. This work explores the catastrophic effects of plastic on global ecosystems, using dynamic sculptures to provoke reflection on consumption, design, and ecological responsibility. Her work, recognised with awards like the Museums and Galleries National Award for Sustainability, has been featured in exhibitions worldwide. Claire’s practice blends creativity with sustainability by transforming discarded materials into thought-provoking art, aiming to redefine and revalue waste. She is passionate about fostering a deeper connection between people and the environment, encouraging communities to engage with ecological issues through interactive and participatory public artworks. Claire also teaches at the University of the Sunshine Coast, where she shares her passion for environmental art with her students, encouraging them to think creatively about sustainability.