Registration - workshops included

If you have any difficulty or require assistance, please contact the symposium organiser at isea2024@expertevents.com.au or +61 7 3848 2100.

A confirmation email and tax invoice will be sent to you within a few minutes of registering. If you do not receive this email, please first check your spam/junk folder then contact the symposium organiser.

Registration fees can be paid by EFT or online by Visa or MasterCard. Simply select your preferred method of payment when you reach the payment page. If applicable, please ensure you forward your confirmation email and invoice to your accounts department for processing. 

All amounts are in Australian dollars. Registration fees are per person and are based on the date of receipt of payment (not based on the registration date).

Early bird registration fees are available up to Friday 3 May 2024 (midnight AEST). Standard fees apply from Saturday 4 May 2024.

Student/concession registration is available for those who hold a current student Identification card or concession card. As a student to be eligible you will need to upload a copy of your student ID card or a written statement from your supervisor verifying your student status during the registration process. For concession card holders you will need to upload a copy of your valid concession card.

Anyone who registers for onsite attendance, but then at a later date is unable to travel to the Brisbane Convention & Exhibition Centre, will be transferred over to a virtual registration type and will be refunded the difference in price up until 5pm Friday 7 June 2024. 

Please select your registration type below:

All amounts are in Australian dollars. Registration fees are per person and are based on the date of receipt of payment (not based on the registration date).

Student/concession registration is available for those who hold a current student Identification card or concession card. As a student to be eligible you will need to upload a copy of your student ID card or a written statement from your supervisor verifying your student status during the registration process. For concession card holders you will need to upload a copy of your valid concession card.

Virtual delegates will have access to parts of the onsite ISEA2024 program at the Brisbane Convention & Exhibition Centre. Further details on what parts of the program will be available in a hybrid capacity will be confirmed in the coming weeks.

Please select your registration type below:

Please refer to the website for more information on the workshops including time, location and descriptions. 

Please do not choose multiple workshops on at the same time. 

If you wish to register for Workshop 6 - Bone Drift workshop, please click here. Use the discount code ISEA2024 to access the reduce price of $55.

If you wish to register for Workshop 17 - Reworlding: Play The World We Want, please click here.

Please select which workshop/s you would like to attend below. If you do not want to attend any workshops, please select next.

Please refer to the website for more information on the workshops including time, location and descriptions. The below workshop is free for participants of ISEA2024. 

Please tick the box if you would like to attend the below workshop. If you do not want to attend the workshop, please select next. 

Date: Saturday 29 June

Time:  The bus will depart from South Bank, near the Brisbane Convention and Exhibition Centre at 9am. You will return back in South Bank at approximately 9.30pm.

Cost: $85

The ticket covers the bus, and all associated events and activities, including a Tallo Billa (Humpback Whale) augmented reality print by Kabi Kabi artist Lyndon Davis that will include the soundscapes and whale song from the Welcome to Country to remember the experience. The bus will depart from South Bank, near the Brisbane Convention and Exhibition Centre.

Please refer to the website for more information on the field trip. 

Date: Thursday 27 June 2024

Show times: 12pm and 3pm

Artists: A/Prof Jonathan Duckworth; Prof Shigenori Mochizuki; Dr James Hullick; Mr Ross Eldridge; Ryoko Aoki, The Amplified Elephants (Jay Euesden, Stuart Flenley, Robyn McGrath, Natalie Walters)

For more information, click here. 

Location: The Loft Theatre, Musk Avenue Kelvin Grove, Building Z2-511, QUT Creative Industries Precinct.

In partnership with Ars Electronica Animation Festival ON TOUR, organized by Ars Electronica in cooperation with the Austrian Federal Ministry for European and International Affairs, and SIGGRAPH Asia 2023, ISEA2024 Meanjin/Brisbane presents two incredible programs of award-winning animation from around the world: Electronic Theatre, featuring works honored by the Prix Ars Electronica jury, the Data, Bodies Space juried selection and SIGGRAPH Asia 2023. This multi-award winning selection of contemporary animation will be running on a 2 hour loop from 10 am,

June 27 3.45PM – 5.30PM. Join June Kim ( SIGGRAPH Asia 2023 Chair), Juergen Hagler ( co-founder Expanded Animation Festival, Ars Electronica) and Rewa Wright (ISEA Constellations curator) for a Special Animation Panel Event, featuring a Q&A with the award winning Director's behind 'Moirai: Thread of Life,' Mark Chavez & Ina Conradi (USA/Singapore).

Director Bios:

Mark Chavez is an animation industry veteran and educator who has worked at major animation (DreamWorks)and VFX studios on award-winning feature films and innovative interactive titles. He has several award-winning animated short films that have screened at numerous international film festivals. As an academic and founding faculty for the animation area at Nanyang Technological University Singapore's School of Art, Design & Media, he established the digital animation area of the school where numerous students have gone on to successful careers in animation.

Ina Conradi is an award-winning new media artist, currently Associate Professor at the Nanyang Technological University Singapore, School of Art, Design and Media. Ina’s works uniquely span several disciplines: digital painting, experimental S3D animation, installation, and most recently media architecture. Ina’s explorations redefine the wide spectrum of what painting can be.  Her ‘paintings’ are often “unframed” and animated as cine-installation in a gallery, infinitely expanding within variable display immersive platforms such as for example Deep Space 8K, 360 screens, urban screens, or are “re-framed” back into cinema projection.